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Apollo alla Galleria degli Uffizi, 2015

Federico Cortese

Original painting35 x 35 x 0.1 cm

Oil on thick paper

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Federico CorteseOffered by
Federico Cortese
Italy
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Artist

About Federico Cortese

I was born in 1971 in Turin, Italy, where I live and work as an artist. Since I can remember, I have always drawn. My preferred techniques are classic oil-on-canvas paintings, and pencil drawings.

I’m like a mouse in its box. A little mouse, safe in its shelter, that passes its time gnawing the food stored for the winter. But my food is the drawings. I work within my home. My studio is a room in the house where I live. In this relatively small space, I accumulated all the materials and equipment I need to draw and paint, but in a certain sense, the suggestions that inspire my work. Here are the desks and drawing boards, with brushes and paint colours, but also, on the walls or placed in closets, paintings and drawings (I think each finished work is always an inspiration for the next, somehow). Great sources of ideas are books and music, and, of course, the PC. The graphics programs and virtual modelling programs have become, over the years, valuable support. Still, the richest mine is the internet: a reservoir of images and ideas from which to draw, and in which we often are lost (in addition to photos of my travels, all stored on the computer). It’s a small microcosm closed in on itself, somewhat impervious to the outside world (despite a large window with a beautiful view of Turin, I almost always work with the curtains closed). It is a bit as if the real world's suggestions were allowed to enter here only after being filtered and digested, after they have already been turned into experience. Exactly like a rat, quietly eating its supplies in its den, waiting for the end of winter.

Artwork

About this artwork

An original piece from the series “The color of memory”:

These works come from some thoughts about classical sculpture. We know that the sculptures were originally colourful, and that the Egyptian, Greek, and Roman cultures, but also the Pre-Columbian cultures, favoured very bright colours to decorate them. However, the passage of time has left us with these sculptures predominantly white. So, from the Renaissance until today, the sculptural representation of man is almost always monochrome. It is interesting to think that if, by some historical accident, the same thing had happened with painting, today we would paint with one colour and find it quite natural, just as the monochrome sculptures seem entirely correct. Obviously this reasoning should be much more complex, but for me it was only the starting point for a reflection on the way we perceive reality and what influences it. Looking for an expedient that makes colourful something that is not.
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