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Kaleidoscope Number 2 by Federico Cortese | Paintings | Artlimes
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Kaleidoscope Number 2, 2022

Federico Cortese

Original Painting50 x 50 x 0.1 cm

Oil on thick paper

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$1,094.65
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Federico CorteseOffered by
Federico Cortese
Italy
2,386

Artist

About Federico Cortese

I was born in 1971 in Turin, Italy, where I live and work as an artist. Since I can remember, I have always drawn. My preferred techniques are classic oil on canvas paintings, and pencil drawings.

I’m like a mouse in its box. A little mouse safe in its shelter that passes its time gnawing the food stored for the winter. But my food is the drawings. I work within my home. My studio is a room in the house in which I live. In this relatively small space, I accumulated all the materials and equipment I need to draw and paint, but in a certain sense, the suggestions that inspire my work. Here are the desks and drawing boards, with brushes and paint colours, but also, on the walls or placed in closets, paintings, and drawings (I think each finished work is always an inspiration for the next, somehow). A great source of ideas are books and music, and of course, the PC. The graphics programs and virtual modelling programs have become over the years of valuable support. Still, the richest mine is the internet: a reservoir of images and ideas from which to draw, and in which we often are lost (in addition to photos of my travels, all stored on the computer). It’s a small microcosm closed in on itself, somewhat impervious to the outside world (despite a large window with a beautiful view of Turin, almost always I work with the curtains closed). It is a bit as if the real world's suggestions were allowed to enter here only after being filtered and digested only after it has already been turned into experience. Exactly like a rat, eating quiet its supplies in its den, waiting for the end of winter.

Artwork

About this Artwork

An original piece from the series “Chromatic”, oil on thick paper. 50 x 50 cm, 2022.

Artists are attached to a particular theme or compositional scheme often, till the point that it almost becomes an obsession, their personal and unmistakable signature. On a closer inspection, what counts in these schemes is the possibility, or possibilities, of generating variants. I believe that the artist is precisely attracted to the investigation of these variants, and the exploration of the limit to which one can go in their alteration. And if there are many variables involved in this game, the possibilities of creating variations become almost infinite. I believe that unconsciously, this creative process is also gratifying because it allows us to invent an illusory order, where the chaos of reality can create confusion. One could almost speak of a "collector's syndrome", except that in this case, the artist, not only, as in a collection of butterflies or stamps, always searches for new specimens and this research is never satisfied, but he even creates "specimens" by himself!
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