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Relief Number 11, 2022

Federico Cortese

Limited edition print
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Federico CorteseOffered by Federico Cortese
Italy
3,173

Artist

About Federico Cortese

I was born in 1971 in Turin, Italy, where I live and work as an artist. Since I can remember, I have always drawn. My preferred techniques are classic oil-on-canvas paintings, and pencil drawings.

I’m like a mouse in its box. A little mouse, safe in its shelter, that passes its time gnawing the food stored for the winter. But my food is the drawings. I work within my home. My studio is a room in the house where I live. In this relatively small space, I accumulated all the materials and equipment I need to draw and paint, but in a certain sense, the suggestions that inspire my work. Here are the desks and drawing boards, with brushes and paint colours, but also, on the walls or placed in closets, paintings and drawings (I think each finished work is always an inspiration for the next, somehow). Great sources of ideas are books and music, and, of course, the PC. The graphics programs and virtual modelling programs have become, over the years, valuable support. Still, the richest mine is the internet: a reservoir of images and ideas from which to draw, and in which we often are lost (in addition to photos of my travels, all stored on the computer). It’s a small microcosm closed in on itself, somewhat impervious to the outside world (despite a large window with a beautiful view of Turin, I almost always work with the curtains closed). It is a bit as if the real world's suggestions were allowed to enter here only after being filtered and digested, after they have already been turned into experience. Exactly like a rat, quietly eating its supplies in its den, waiting for the end of winter.

Artwork

About this artwork

An original piece from the series “Reliefs”: When we consider a road map or a map of the territory, we note that they contain different information that is represented by different means, according to the purpose for which they were created: each time we find colours, symbols and words that recall a precise meaning. What happens if I take these techniques of representation, these symbols, remove the scope for which they were created and mingle them with each other? Will it be, for the reader, a text in a foreign language that is meaningless, or will it — through the world of associations and references that each of us possesses — generate a new language and associate a new meaning to those images? In these paintings, in particular, I am interested in contours that highlight the points of the territory which are at the same elevation. In my works, they become the borders of different colours or shades, bringing out hidden shapes and concentric curves.

EDITIONS by Artlimes

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Prints

For our prints we use Enhanced Matte Art (EMA) 200gsm, natural white paper. A premium quality heavyweight fine art print material with a smooth, clean finish. This museum-quality paper is extremely consistent and works perfectly with large, full colour graphics or illustrations. The matte finish emphasises different highlights and tones in the source artworks; helping to create stunning works of art with the detail and vibrancy they deserve.

Frames

Our Classic frames are made from high-quality wood with clean lines. The profile measures 20mm across the front and 22mm in depth. Available finishes depend on the selected print.

Mount

Our standard white mounts are 2.4mm thick. The mount border is 25mm, 38mm or 50mm wide, depending on the frame size. All mounts are conservation grade, FSC certified and 100% acid free.

Canvas

Our canvas prints are stretched and framed using a 12-colour Giclée process; providing you with spectacular quality each and every time.

Made with love and care in our print labs
Environmentally conscious materials
Paper or wood from FSC-certified forests.
Paper or wood from FSC-certified forests.
Printed using water-based inks.
Printed using water-based inks.
Contains no plastic.
Contains no plastic.
100% acid-free paper mount.
100% acid-free paper mount.
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