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Scott and Amundsen at the South Pole, 2020

Federico Cortese

Original work on paper56 x 40 x 0.1 cm

Oil on thick paper

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Federico CorteseOffered by
Federico Cortese
Italy
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Artist

About Federico Cortese

I was born in 1971 in Turin, Italy, where I live and work as an artist. Since I can remember, I have always drawn. My preferred techniques are classic oil-on-canvas paintings, and pencil drawings.

I’m like a mouse in its box. A little mouse, safe in its shelter, that passes its time gnawing the food stored for the winter. But my food is the drawings. I work within my home. My studio is a room in the house where I live. In this relatively small space, I accumulated all the materials and equipment I need to draw and paint, but in a certain sense, the suggestions that inspire my work. Here are the desks and drawing boards, with brushes and paint colours, but also, on the walls or placed in closets, paintings and drawings (I think each finished work is always an inspiration for the next, somehow). Great sources of ideas are books and music, and, of course, the PC. The graphics programs and virtual modelling programs have become, over the years, valuable support. Still, the richest mine is the internet: a reservoir of images and ideas from which to draw, and in which we often are lost (in addition to photos of my travels, all stored on the computer). It’s a small microcosm closed in on itself, somewhat impervious to the outside world (despite a large window with a beautiful view of Turin, I almost always work with the curtains closed). It is a bit as if the real world's suggestions were allowed to enter here only after being filtered and digested, after they have already been turned into experience. Exactly like a rat, quietly eating its supplies in its den, waiting for the end of winter.

Artwork

About this artwork

An original piece from the series “Deformations”, oil on thick paper, 56 x 40 cm (original sold).

I often paint imaginary maps. I like to play with the codes of representation and the symbols that are usually used in cartography and in the representation of the territory. In this series of paintings, on the other hand, the starting point is a "historical" map, representing real events in the past, such as maps of explorations, migratory movements, conquests and wars. But in this case, rather than representing an itinerary, I was curious to represent that event from the point of view of the trace left in memory. That fact, in addition to having occurred at a given time and in a given place, is a bit like a stone thrown into a pond that generates waves and upheavals. From the moment that event happens, a whole series of concatenated consequences appear, in the physical and real world, as well as in the immaterial nebula of the human experience.
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