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The Bees' Dance 2, 2021

Federico Cortese

Oil on thick paper

W50H50 cm

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Federico CorteseOffered by Federico Cortese
Italy
£568.60
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Artist

About Federico Cortese

I was born in 1971 in Turin, Italy, where I live and work as an artist. Since I can remember, I have always drawn. My preferred techniques are classic oil-on-canvas paintings and pencil drawings.

I’m like a mouse in its box. A little mouse safe in its shelter that passes its time gnawing the food stored for the winter. But my food is the drawings. I work within my home. My studio is a room in the house in which I live. In this relatively small space, I have accumulated all the materials and equipment I need to draw and paint, and, in a certain sense, the suggestions that inspire my work. Here are the desks and drawing boards, with brushes and paint colours, but also, on the walls or placed in cupboards, paintings and drawings (I think each finished work is always an inspiration for the next, somehow). Great sources of ideas are books, music and, of course, the PC. The graphics programmes and virtual modelling programmes have become valuable sources of support over the years. Still, the richest mine is the internet: a reservoir of images and ideas from which to draw, and in which we often are lost (in addition to photos of my travels, all stored on the computer). It’s a small microcosm closed in on itself, somewhat impervious to the outside world (despite a large window with a beautiful view of Turin, I almost always work with the curtains closed). It is a bit as if the real world's suggestions were allowed to enter here only after being filtered and digested, after they have already been turned into experience. Exactly like a rat, quietly eating its supplies in its den, waiting for the end of winter.

Artwork

About this artwork

An original piece from the series "Chromatic":

Artists are often attached to a particular theme or compositional scheme to the point that it almost becomes an obsession, their personal and unmistakable signature. On closer inspection, what counts in these schemes is the possibility, or possibilities, of generating variants. I believe that the artist is precisely attracted to the investigation of these variants and the exploration of the limit to which one can go in their alteration. And if there are many variables involved in this game, the possibilities of creating variations become almost infinite. I believe that, unconsciously, this creative process is also gratifying because it allows us to invent an illusory order, where the chaos of reality can create confusion. One could almost speak of a 'collector's syndrome', except that in this case the artist not only, as in a collection of butterflies or stamps, always searches for new specimens and this research is never satisfied, but he even creates 'specimens' by himself!
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