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Me Voici, Père Ubu, LOVE, 1994

Tony Alcock

Mixed media: wood relief

W101.5H51.5D6 cm · 5.5 kg

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Artist

About Tony Alcock

I was born in Nottingham (UK) in June 1947. My post-school art education included a Pre-Dip at Loughborough, followed by studying Fine Art / Painting at Leicester Polytechnic. After graduating and producing my 'Light Organ', I enjoyed a couple of years being recognised as an original and practising artist in the UK. However, I chose to pursue life as a teacher, gaining a PGCE from Bristol University, where I later briefly lectured in art education.

Circumstances changed, and I found myself working as a musician, becoming a music shop owner, and eventually working in a successful graphics-based company, MOGO UK. From 1993, I was able to reactivate my artistic ambitions, identifying myself as AMA. I've always liked the symmetry of my initials. Almost all the work on this Artlimes website was produced after 1993.

Sculpture

About this sculpture

An assemblage of three disparate but complementary printed images accessed through three different technologies:

1. A naked young lady assessing her body, downloaded from the Internet in 1997
2. A handwritten text of 1967 copied onto a bromide print in Loughborough in 1994

3. A greatly enlarged digital photo of the artist taken for an identity card at Coventry University in 1994.

A development of thesis, antithesis and synthesis is created within a shallow three-dimensional sequential strip-cartoon format. Most of the action, which is itself wishful thinking, occurs within the various physical layers of the construction. The elements of the drama are clearly set out but are variously obscured into various levels of readability.

‘Me voici, Père Ubu, Love’ is a story set in the subjunctive but indicative of the make-believe world of Alfred Jarry’s ‘Ubu Roi’.

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