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Red star by Federico Cortese | Paintings | Artlimes
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Red star, 2015

Federico Cortese

Original Painting90 x 70 x 1.5 cm

Oil on canvas

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£2,190.34
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Federico CorteseOffered by
Federico Cortese
Italy
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Artist

About Federico Cortese

I was born in 1971 in Turin, Italy, where I live and work as an artist. Since I can remember, I have always drawn. My preferred techniques are classic oil on canvas paintings, and pencil drawings.

I’m like a mouse in its box. A little mouse safe in its shelter that passes its time gnawing the food stored for the winter. But my food is the drawings. I work within my home. My studio is a room in the house in which I live. In this relatively small space, I accumulated all the materials and equipment I need to draw and paint, but in a certain sense, the suggestions that inspire my work. Here are the desks and drawing boards, with brushes and paint colours, but also, on the walls or placed in closets, paintings, and drawings (I think each finished work is always an inspiration for the next, somehow). A great source of ideas are books and music, and of course, the PC. The graphics programs and virtual modelling programs have become over the years of valuable support. Still, the richest mine is the internet: a reservoir of images and ideas from which to draw, and in which we often are lost (in addition to photos of my travels, all stored on the computer). It’s a small microcosm closed in on itself, somewhat impervious to the outside world (despite a large window with a beautiful view of Turin, almost always I work with the curtains closed). It is a bit as if the real world's suggestions were allowed to enter here only after being filtered and digested only after it has already been turned into experience. Exactly like a rat, eating quiet its supplies in its den, waiting for the end of winter.

Artwork

About this Artwork

Oil on canvas, 90 x 70 cm, 2015.

Franz Kafka never moved from Prague. For the setting of his novel "Amerika", he probably used the notions that he took from the newspapers and from his literary knowledge. Then he filled the gaps left by that information with his imagination, inventing a really comprehensive and credible setting. Today he wouldn’t have this problem, because the network provides us with detailed and substantial information on anything. Universal knowledge is available to all. And everyone, sooner or later run into the same two problems: this information is too much, we do not need it! (till the point that often we remain submerged and we do not know anymore what we were looking for). And then, how do we verify its authenticity? The virtual reproduction of the real world offered by the internet is so plausible, to make this verification hard. And often that virtual world is more attractive than the reality, to the point that this verification is not so important. Is this news true? Is this picture real? Or is it a montage? No matter, as long as it catches our attention. And this red star? Wasn’t it on the domes of the Kremlin? What is it doing on a skyscraper in New York? No matter, it's good enough.
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