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Study Number 17, 2015

Federico Cortese

Original painting30 x 12 x 0.1 cm

Oil and pencil on thick paper

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Federico CorteseOffered by
Federico Cortese
Italy
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Artist

About Federico Cortese

I was born in 1971 in Turin, Italy, where I live and work as an artist. Since I can remember, I have always drawn. My preferred techniques are classic oil-on-canvas paintings, and pencil drawings.

I’m like a mouse in its box. A little mouse, safe in its shelter, that passes its time gnawing the food stored for the winter. But my food is the drawings. I work within my home. My studio is a room in the house where I live. In this relatively small space, I accumulated all the materials and equipment I need to draw and paint, but in a certain sense, the suggestions that inspire my work. Here are the desks and drawing boards, with brushes and paint colours, but also, on the walls or placed in closets, paintings and drawings (I think each finished work is always an inspiration for the next, somehow). Great sources of ideas are books and music, and, of course, the PC. The graphics programs and virtual modelling programs have become, over the years, valuable support. Still, the richest mine is the internet: a reservoir of images and ideas from which to draw, and in which we often are lost (in addition to photos of my travels, all stored on the computer). It’s a small microcosm closed in on itself, somewhat impervious to the outside world (despite a large window with a beautiful view of Turin, I almost always work with the curtains closed). It is a bit as if the real world's suggestions were allowed to enter here only after being filtered and digested, after they have already been turned into experience. Exactly like a rat, quietly eating its supplies in its den, waiting for the end of winter.

Artwork

About this artwork

An original piece from the series “Anatomy’s studies”, oil and graphite on paper, 30 x 12 cm, 2015.

In some old manuals of anatomy, I find very accurate and detailed illustrations that represent the different parts of the human body. The internal organs, the tissues, the degeneration provoked by disease are represented with extreme precision and detail. The colour contrast is very strong to highlight all the details. Generally, there is a prevalence of yellow and red. The images are fixed in crystalline stillness that deprives them of any sense of fear or disgust for what we are observing. On the contrary, the wealth of detail and fullness of the representation, if for one moment we can forget the subject they portray, can allow us to imagine a sort of sensuality. These artworks are made on paper, overlaying subsequent layers of oil painting and pencil drawing (I often use graphite not only to emphasise the traits but as a colour itself, to fill and darken entire areas of the drawing). The elongated shape of the paper allows me to imagine that these muscles, tendons and organic forms that I invented are pulled or contracted, giving them a sense of softness or elasticity.
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