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The Reading Room by Federico Cortese | Paintings | Artlimes
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The Reading Room, 2021

Federico Cortese

Original Painting60 x 40 x 0.1 cm

Oil on thick paper

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Federico CorteseOffered by
Federico Cortese
Italy
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Artist

About Federico Cortese

I was born in 1971 in Turin, Italy, where I live and work as an artist. Since I can remember, I have always drawn. My preferred techniques are classic oil on canvas paintings, and pencil drawings.

I’m like a mouse in its box. A little mouse safe in its shelter that passes its time gnawing the food stored for the winter. But my food is the drawings. I work within my home. My studio is a room in the house in which I live. In this relatively small space, I accumulated all the materials and equipment I need to draw and paint, but in a certain sense, the suggestions that inspire my work. Here are the desks and drawing boards, with brushes and paint colours, but also, on the walls or placed in closets, paintings, and drawings (I think each finished work is always an inspiration for the next, somehow). A great source of ideas are books and music, and of course, the PC. The graphics programs and virtual modelling programs have become over the years of valuable support. Still, the richest mine is the internet: a reservoir of images and ideas from which to draw, and in which we often are lost (in addition to photos of my travels, all stored on the computer). It’s a small microcosm closed in on itself, somewhat impervious to the outside world (despite a large window with a beautiful view of Turin, almost always I work with the curtains closed). It is a bit as if the real world's suggestions were allowed to enter here only after being filtered and digested only after it has already been turned into experience. Exactly like a rat, eating quiet its supplies in its den, waiting for the end of winter.

Artwork

About this Artwork

Oil on thick paper, 2021. In the reading rooms I wanted to represent a very simple idea, namely how much the content of a book can acquire reality for those who are reading it, becoming as present as the true reality. For this reason the rooms have a view towards the outside and the concrete world. Only by painting them, I realized that those windows are not an opening, the external landscape does not count at all, and the room is a refuge. The reader is somehow protected from the outside world as in a shelter, and his reality is only inside the book.
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