
Follow the Hart, 2022
Gill Bustamante
Oil on canvas
Original Painting, 91.44 x 76.2 x 3.81 cm
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Gill Bustamante Art
United Kingdom
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OurExpert's
Perspective
Gill Bustamante is definitely a dreamer as her ambition is to paint a way out of this universe into a better one! Most of her artworks feature pathways, portals and little mystery roots to other realities.
Her painting style is a fusion of expressionism, impressionism, semi-abstract and art nouveau. All depictions of fairytale landscapes, dreamy animals, mystery birds, horses and deer. Her techniques and ideas stand out to such an extent, they make a statement for themselves.
This artist is worth following if you just have the urge to escape out this world and dive into some wonderful places.
Curated byKelly Kaimaki, Creative Writer / Curator
About Gill Bustamante
I paint large semi-abstract oils that seek to capture, not just the visual details of a location, but its scents, sounds, and spiritual energy. They are inspired by encounters with landscapes, wildlife and birds, particularly the ancient landscapes of England.
My paintings are completely unique in style.
I often paint from memory as it better allows me to move beyond traditional realism, and into magical realism using colour, texture and light to express the magic I sense in wild meadows, forests, seas and rivers.
Animals, pathways, and portals are recurring motifs in my painting’s, often as symbols of transition, curiosity, and the mysteries that lie just beyond the visible. I am fascinated by the folklore and hidden stories woven into the countryside, and I strive to share that sense of wonder and connection through my art.
My technique is rooted in traditional oil painting, but I build each piece with layers of glaze, texture, and intuitive, art nouveau like, brush stokes, letting the painting evolve organically as a controlled chaos.
My goal is to inspire a deeper appreciation for the natural world and to encourage its protection as well as to provide a place to escape beyond the mundane.
Each painting is a captured universe—a place where viewers can lose themselves, dream, and perhaps glimpse the magic that still lingers in the land and in nature.
My paintings are completely unique in style.
I often paint from memory as it better allows me to move beyond traditional realism, and into magical realism using colour, texture and light to express the magic I sense in wild meadows, forests, seas and rivers.
Animals, pathways, and portals are recurring motifs in my painting’s, often as symbols of transition, curiosity, and the mysteries that lie just beyond the visible. I am fascinated by the folklore and hidden stories woven into the countryside, and I strive to share that sense of wonder and connection through my art.
My technique is rooted in traditional oil painting, but I build each piece with layers of glaze, texture, and intuitive, art nouveau like, brush stokes, letting the painting evolve organically as a controlled chaos.
My goal is to inspire a deeper appreciation for the natural world and to encourage its protection as well as to provide a place to escape beyond the mundane.
Each painting is a captured universe—a place where viewers can lose themselves, dream, and perhaps glimpse the magic that still lingers in the land and in nature.
About the Product
Follow the Hart is a 36x30 inches oil on canvas of a vibrantly coloured, semi-abstract woodland path painting. The edges of the painting are blurred and the flow of the shapes of trees and leaves lead the eye into towards the centre of the path and the light beyond it where you can just about see a white deer stag waiting in the light (the hart). I wanted to give it the feeling of hope and renewal which is why the colours hint at a springtime with bluebell colours and pink woodland flowers under the trees. Layers have been added to it that change the colours and give the painting different facets as you see it from different angles. The location itself was inspired by springtime time walks in the Ashdown Forest area where you often spot deer and where the landscape itself is ancient. There are literally hundreds of tell-tale signs left on the landscape by ancient cultures including Roman and medieval ones. I think this knowledge influenced how the painting evolved and I am happy that it captures the feeling of hope (for me anyway). Painted on deep edge canvas, edges white, ready to hang, no frame needed.
Video: https://www.youtube.com/watch?v=IoVCsOk0T4Q
Video: https://www.youtube.com/watch?v=IoVCsOk0T4Q




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