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Si, Death by Federico Cortese | Artworks | Artlimes
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Si, Death, 2016

Federico Cortese

Original Artwork30 x 40 x 0.1 cm

pencil on paper

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£214.53
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Federico CorteseOffered by
Federico Cortese
Italy
2,434

Artist

About Federico Cortese

I was born in 1971 in Turin, Italy, where I live and work as an artist. Since I can remember, I have always drawn. My preferred techniques are classic oil on canvas paintings, and pencil drawings.

I’m like a mouse in its box. A little mouse safe in its shelter that passes its time gnawing the food stored for the winter. But my food is the drawings. I work within my home. My studio is a room in the house in which I live. In this relatively small space, I accumulated all the materials and equipment I need to draw and paint, but in a certain sense, the suggestions that inspire my work. Here are the desks and drawing boards, with brushes and paint colours, but also, on the walls or placed in closets, paintings, and drawings (I think each finished work is always an inspiration for the next, somehow). A great source of ideas are books and music, and of course, the PC. The graphics programs and virtual modelling programs have become over the years of valuable support. Still, the richest mine is the internet: a reservoir of images and ideas from which to draw, and in which we often are lost (in addition to photos of my travels, all stored on the computer). It’s a small microcosm closed in on itself, somewhat impervious to the outside world (despite a large window with a beautiful view of Turin, almost always I work with the curtains closed). It is a bit as if the real world's suggestions were allowed to enter here only after being filtered and digested only after it has already been turned into experience. Exactly like a rat, eating quiet its supplies in its den, waiting for the end of winter.

Artwork

About this Artwork

An original piece from the series “Zi hua”, pencil on paper, 30 x 40 cm.

I wanted to learn to write Chinese characters, but I've lost control! I have always been fascinated by the art of ideograms, and when I was in China I spent hours and hours, enchanted to observe people trying to dip the brush into water, and to draw on the ground ephemeral signs intended to evaporate, with controlled and sensual movements. But my nature is baroque! The gesture that I started cannot be stopped, the hand begins to draw on the paper some convolutions, scrolls and doodles, at first timid, but soon prevailing over the same character and its meaning! And the gesture that remains, even if free and decorative, is extremely rewarding for me!
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