
Between Worlds, 2019
Gill Bustamante
Oil on canvas
Original Painting, 121.92 x 121.92 x 4.45 cm
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Gill Bustamante Art
United Kingdom
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OurExpert's
Perspective
Gill Bustamante is definitely a dreamer as her ambition is to paint a way out of this universe into a better one! Most of her artworks feature pathways, portals and little mystery roots to other realities.
Her painting style is a fusion of expressionism, impressionism, semi-abstract and art nouveau. All depictions of fairytale landscapes, dreamy animals, mystery birds, horses and deer. Her techniques and ideas stand out to such an extent, they make a statement for themselves.
This artist is worth following if you just have the urge to escape out this world and dive into some wonderful places.
Curated byKelly Kaimaki, Creative Writer / Curator
About Gill Bustamante
I paint large semi-abstract oils that seek to capture, not just the visual details of a location, but its scents, sounds, and spiritual energy. They are inspired by encounters with landscapes, wildlife and birds, particularly the ancient landscapes of England.
My paintings are completely unique in style.
I often paint from memory as it better allows me to move beyond traditional realism, and into magical realism using colour, texture and light to express the magic I sense in wild meadows, forests, seas and rivers.
Animals, pathways, and portals are recurring motifs in my painting’s, often as symbols of transition, curiosity, and the mysteries that lie just beyond the visible. I am fascinated by the folklore and hidden stories woven into the countryside, and I strive to share that sense of wonder and connection through my art.
My technique is rooted in traditional oil painting, but I build each piece with layers of glaze, texture, and intuitive, art nouveau like, brush stokes, letting the painting evolve organically as a controlled chaos.
My goal is to inspire a deeper appreciation for the natural world and to encourage its protection as well as to provide a place to escape beyond the mundane.
Each painting is a captured universe—a place where viewers can lose themselves, dream, and perhaps glimpse the magic that still lingers in the land and in nature.
My paintings are completely unique in style.
I often paint from memory as it better allows me to move beyond traditional realism, and into magical realism using colour, texture and light to express the magic I sense in wild meadows, forests, seas and rivers.
Animals, pathways, and portals are recurring motifs in my painting’s, often as symbols of transition, curiosity, and the mysteries that lie just beyond the visible. I am fascinated by the folklore and hidden stories woven into the countryside, and I strive to share that sense of wonder and connection through my art.
My technique is rooted in traditional oil painting, but I build each piece with layers of glaze, texture, and intuitive, art nouveau like, brush stokes, letting the painting evolve organically as a controlled chaos.
My goal is to inspire a deeper appreciation for the natural world and to encourage its protection as well as to provide a place to escape beyond the mundane.
Each painting is a captured universe—a place where viewers can lose themselves, dream, and perhaps glimpse the magic that still lingers in the land and in nature.
About the Product
Between Worlds is 48x48x1.5 inches art nouveau style large oil painting of a stag and three deer in a Sussex bluebell wood with a lake and trees behind. This painting was inspired by walking through a lot of spring woods and spotting a lot of deer in them - especially during April and May in England. It is called between the worlds as the deer sometimes seem to me to stand between the physical and the material worlds. A group of white deer and a stag stand to the left in a woodland glade blinking in and out of existence. The colours match bluebells and other woodland flowers and the trees are bright green as they are in springtime. To the right there is a lake in the clearing and the hint of another path through the forest beyond. The idea I was trying to capture is the elusive nature of deer and of bluebell season. One minute deer are there watching you, the next they flash their white behind's at you and disappear. I love to see the seasons reflected in English woodland and like to capture a glimpse of April in particular. This is a very large canvas and does not need a frame. The edges are white and it is ready to hang.










