
The Dryads Bluebell Wood, 2018
Gill Bustamante
Oil on canvas
Original Painting, 76.2 x 101.6 x 3.81 cm
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Gill Bustamante Art
United Kingdom
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Perspective
Gill Bustamante is definitely a dreamer as her ambition is to paint a way out of this universe into a better one! Most of her artworks feature pathways, portals and little mystery roots to other realities.
Her painting style is a fusion of expressionism, impressionism, semi-abstract and art nouveau. All depictions of fairytale landscapes, dreamy animals, mystery birds, horses and deer. Her techniques and ideas stand out to such an extent, they make a statement for themselves.
This artist is worth following if you just have the urge to escape out this world and dive into some wonderful places.
Curated byKelly Kaimaki, Creative Writer / Curator
About Gill Bustamante
I paint large semi-abstract oils that seek to capture, not just the visual details of a location, but its scents, sounds, and spiritual energy. They are inspired by encounters with landscapes, wildlife and birds, particularly the ancient landscapes of England.
My paintings are completely unique in style.
I often paint from memory as it better allows me to move beyond traditional realism, and into magical realism using colour, texture and light to express the magic I sense in wild meadows, forests, seas and rivers.
Animals, pathways, and portals are recurring motifs in my painting’s, often as symbols of transition, curiosity, and the mysteries that lie just beyond the visible. I am fascinated by the folklore and hidden stories woven into the countryside, and I strive to share that sense of wonder and connection through my art.
My technique is rooted in traditional oil painting, but I build each piece with layers of glaze, texture, and intuitive, art nouveau like, brush stokes, letting the painting evolve organically as a controlled chaos.
My goal is to inspire a deeper appreciation for the natural world and to encourage its protection as well as to provide a place to escape beyond the mundane.
Each painting is a captured universe—a place where viewers can lose themselves, dream, and perhaps glimpse the magic that still lingers in the land and in nature.
My paintings are completely unique in style.
I often paint from memory as it better allows me to move beyond traditional realism, and into magical realism using colour, texture and light to express the magic I sense in wild meadows, forests, seas and rivers.
Animals, pathways, and portals are recurring motifs in my painting’s, often as symbols of transition, curiosity, and the mysteries that lie just beyond the visible. I am fascinated by the folklore and hidden stories woven into the countryside, and I strive to share that sense of wonder and connection through my art.
My technique is rooted in traditional oil painting, but I build each piece with layers of glaze, texture, and intuitive, art nouveau like, brush stokes, letting the painting evolve organically as a controlled chaos.
My goal is to inspire a deeper appreciation for the natural world and to encourage its protection as well as to provide a place to escape beyond the mundane.
Each painting is a captured universe—a place where viewers can lose themselves, dream, and perhaps glimpse the magic that still lingers in the land and in nature.
About the Product
A 30x40 inches original oil painting of an abstract woodland landscape in Spring with bluebells and a dryad. This painting is art nouveau and semi abstract and it shows a dryad (tree spirit) emerging from her tree so that she can attend to bluebells in her woodland garden. The colours range from deep purple through to cool blues, greens, magenta and golden yellow. I have used golden yellow in to give the idea of light glinting off of the trees and flowers in small beams of light. My aim was to catch a bit of the essence of the colours and light through trees that you get in a Spring woodland and to show the colours and exuberance of a bluebell wood but as an impression rather than making a botanical study. The dryad was added in later because I rarely paint people so thought I would make an exception. I spend a lot of time walking in woods and forests around Kent and Sussex and I am fascinated by the atmosphere you get in them. Some woodland is welcoming, some can be sinister and I always feel as if I being observed so why not by dryads as well as the birds and foxes and wildlife? Painted on deep edge canvas, white edges, no frame needed.










