
Woodland Souls - Large Winter Landscape Painting with Deer, 2018
Gill Bustamante
Oil on canvas
Original Painting, 101.6 x 101.6 x 3.81 cm
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Gill Bustamante Art
United Kingdom
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Perspective
Gill Bustamante is definitely a dreamer as her ambition is to paint a way out of this universe into a better one! Most of her artworks feature pathways, portals and little mystery roots to other realities.
Her painting style is a fusion of expressionism, impressionism, semi-abstract and art nouveau. All depictions of fairytale landscapes, dreamy animals, mystery birds, horses and deer. Her techniques and ideas stand out to such an extent, they make a statement for themselves.
This artist is worth following if you just have the urge to escape out this world and dive into some wonderful places.
Curated byKelly Kaimaki, Creative Writer / Curator
About Gill Bustamante
I paint large semi-abstract oils that seek to capture, not just the visual details of a location, but its scents, sounds, and spiritual energy. They are inspired by encounters with landscapes, wildlife and birds, particularly the ancient landscapes of England.
My paintings are completely unique in style.
I often paint from memory as it better allows me to move beyond traditional realism, and into magical realism using colour, texture and light to express the magic I sense in wild meadows, forests, seas and rivers.
Animals, pathways, and portals are recurring motifs in my painting’s, often as symbols of transition, curiosity, and the mysteries that lie just beyond the visible. I am fascinated by the folklore and hidden stories woven into the countryside, and I strive to share that sense of wonder and connection through my art.
My technique is rooted in traditional oil painting, but I build each piece with layers of glaze, texture, and intuitive, art nouveau like, brush stokes, letting the painting evolve organically as a controlled chaos.
My goal is to inspire a deeper appreciation for the natural world and to encourage its protection as well as to provide a place to escape beyond the mundane.
Each painting is a captured universe—a place where viewers can lose themselves, dream, and perhaps glimpse the magic that still lingers in the land and in nature.
My paintings are completely unique in style.
I often paint from memory as it better allows me to move beyond traditional realism, and into magical realism using colour, texture and light to express the magic I sense in wild meadows, forests, seas and rivers.
Animals, pathways, and portals are recurring motifs in my painting’s, often as symbols of transition, curiosity, and the mysteries that lie just beyond the visible. I am fascinated by the folklore and hidden stories woven into the countryside, and I strive to share that sense of wonder and connection through my art.
My technique is rooted in traditional oil painting, but I build each piece with layers of glaze, texture, and intuitive, art nouveau like, brush stokes, letting the painting evolve organically as a controlled chaos.
My goal is to inspire a deeper appreciation for the natural world and to encourage its protection as well as to provide a place to escape beyond the mundane.
Each painting is a captured universe—a place where viewers can lose themselves, dream, and perhaps glimpse the magic that still lingers in the land and in nature.
About the Product
Woodland Souls Winter Landscape with deer is a 40 x 40 x 1.5 inches large original oil painting on canvas in art nouveau, impressionist, semi abstract style. The colours are predominantly white, fawn, cream and pastel pinks, blues, lilacs and yellow. The edges are white and deep edge meaning no frame is needed. The painting shows two red deer, a stag and a doe appearing out of a winter forest with the suggestion of snow and winter trees behind them. They behave in that typical way that deer do when you come across them by chance, by standing and looking at you curiously but tensed and ready to flee. Sometimes all you have to do is blink and they will turn tail, flash their white behind's at you, and vanish into the trees that they they know so much better than you do. This is a recurring theme for me to paint for the excellent reason that I see deer almost every time I go walking in Sussex or Kent and it always thrills me to see how such a large animal can appear and disappear so easily. What I try to do when painting such a scene is to paint the background by memory alone, as that tends to be a good impression, but without too many details. Then I like to put in the deer who I start by painting in a traditional way, drawing on 20 years portrait painting experience, and then partly abstracting them.










