
October Monarchs, 2020
Gill Bustamante
Oil
Original Painting, 121.92 x 91.44 x 3.81 cm
Ships from United Kingdom for £40.00
15% OFF with code FIFTEEN.
Sold
✔Signed by Artist
Secure Payments with Stripe. Learn more
Gill Bustamante Art
United Kingdom
1183Views
OurExpert's
Perspective
Gill Bustamante is definitely a dreamer as her ambition is to paint a way out of this universe into a better one! Most of her artworks feature pathways, portals and little mystery roots to other realities.
Her painting style is a fusion of expressionism, impressionism, semi-abstract and art nouveau. All depictions of fairytale landscapes, dreamy animals, mystery birds, horses and deer. Her techniques and ideas stand out to such an extent, they make a statement for themselves.
This artist is worth following if you just have the urge to escape out this world and dive into some wonderful places.
Curated byKelly Kaimaki, Creative Writer / Curator
About Gill Bustamante
I paint large semi-abstract oils that seek to capture, not just the visual details of a location, but its scents, sounds, and spiritual energy. They are inspired by encounters with landscapes, wildlife and birds, particularly the ancient landscapes of England.
My paintings are completely unique in style.
I often paint from memory as it better allows me to move beyond traditional realism, and into magical realism using colour, texture and light to express the magic I sense in wild meadows, forests, seas and rivers.
Animals, pathways, and portals are recurring motifs in my painting’s, often as symbols of transition, curiosity, and the mysteries that lie just beyond the visible. I am fascinated by the folklore and hidden stories woven into the countryside, and I strive to share that sense of wonder and connection through my art.
My technique is rooted in traditional oil painting, but I build each piece with layers of glaze, texture, and intuitive, art nouveau like, brush stokes, letting the painting evolve organically as a controlled chaos.
My goal is to inspire a deeper appreciation for the natural world and to encourage its protection as well as to provide a place to escape beyond the mundane.
Each painting is a captured universe—a place where viewers can lose themselves, dream, and perhaps glimpse the magic that still lingers in the land and in nature.
My paintings are completely unique in style.
I often paint from memory as it better allows me to move beyond traditional realism, and into magical realism using colour, texture and light to express the magic I sense in wild meadows, forests, seas and rivers.
Animals, pathways, and portals are recurring motifs in my painting’s, often as symbols of transition, curiosity, and the mysteries that lie just beyond the visible. I am fascinated by the folklore and hidden stories woven into the countryside, and I strive to share that sense of wonder and connection through my art.
My technique is rooted in traditional oil painting, but I build each piece with layers of glaze, texture, and intuitive, art nouveau like, brush stokes, letting the painting evolve organically as a controlled chaos.
My goal is to inspire a deeper appreciation for the natural world and to encourage its protection as well as to provide a place to escape beyond the mundane.
Each painting is a captured universe—a place where viewers can lose themselves, dream, and perhaps glimpse the magic that still lingers in the land and in nature.
About the Product
October Monarchs is a 36x48x1.5 inches oil on canvas painting of a group of deer in an autumn landscape. It is called October Monarchs as the deer really are, for me, the kings and queens of the forests and woodlands of England. It is semi-abstract and rainbow coloured and was painted after a walk I took in Knole Park in Kent last month. It is the time of year when the deer are in family groups with the males honking and bellowing and the females and babies staying close to him. Three female fallow deer stand on a hill under trees to the left and to the right is the stag in the foreground. Behind him in the distance is a hint of trees and possibly a lake beyond whilst in the foreground is the suggestion of a heart shape that links the stag to his family. There is a wide main path in Knole which runs between two raised banks and as you walk it in September and October you can hear the stags clearly but often cannot see them. It is an intimidating sound but quite exciting when you do spot the deer. The painting was made with multilayers, which, as with many of my paintings, gives the impression of universes overlapping. It is on deep edge canvas, ready to hang, no frame needed. If you want to visits, the following postcode puts you outside one of the entrances to the park TN15 0RT. Video: https://www.youtube.com/watch?v=1Zfkbfh-N9w










