
Woodland Born, 2018
Gill Bustamante
Oil on canvas
Original Painting, 101.6 x 101.6 x 3.81 cm
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Gill Bustamante Art
United Kingdom
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Perspective
Gill Bustamante is definitely a dreamer as her ambition is to paint a way out of this universe into a better one! Most of her artworks feature pathways, portals and little mystery roots to other realities.
Her painting style is a fusion of expressionism, impressionism, semi-abstract and art nouveau. All depictions of fairytale landscapes, dreamy animals, mystery birds, horses and deer. Her techniques and ideas stand out to such an extent, they make a statement for themselves.
This artist is worth following if you just have the urge to escape out this world and dive into some wonderful places.
Curated byKelly Kaimaki, Creative Writer / Curator
About Gill Bustamante
I paint large semi-abstract oils that seek to capture, not just the visual details of a location, but its scents, sounds, and spiritual energy. They are inspired by encounters with landscapes, wildlife and birds, particularly the ancient landscapes of England.
My paintings are completely unique in style.
I often paint from memory as it better allows me to move beyond traditional realism, and into magical realism using colour, texture and light to express the magic I sense in wild meadows, forests, seas and rivers.
Animals, pathways, and portals are recurring motifs in my painting’s, often as symbols of transition, curiosity, and the mysteries that lie just beyond the visible. I am fascinated by the folklore and hidden stories woven into the countryside, and I strive to share that sense of wonder and connection through my art.
My technique is rooted in traditional oil painting, but I build each piece with layers of glaze, texture, and intuitive, art nouveau like, brush stokes, letting the painting evolve organically as a controlled chaos.
My goal is to inspire a deeper appreciation for the natural world and to encourage its protection as well as to provide a place to escape beyond the mundane.
Each painting is a captured universe—a place where viewers can lose themselves, dream, and perhaps glimpse the magic that still lingers in the land and in nature.
My paintings are completely unique in style.
I often paint from memory as it better allows me to move beyond traditional realism, and into magical realism using colour, texture and light to express the magic I sense in wild meadows, forests, seas and rivers.
Animals, pathways, and portals are recurring motifs in my painting’s, often as symbols of transition, curiosity, and the mysteries that lie just beyond the visible. I am fascinated by the folklore and hidden stories woven into the countryside, and I strive to share that sense of wonder and connection through my art.
My technique is rooted in traditional oil painting, but I build each piece with layers of glaze, texture, and intuitive, art nouveau like, brush stokes, letting the painting evolve organically as a controlled chaos.
My goal is to inspire a deeper appreciation for the natural world and to encourage its protection as well as to provide a place to escape beyond the mundane.
Each painting is a captured universe—a place where viewers can lose themselves, dream, and perhaps glimpse the magic that still lingers in the land and in nature.
About the Product
40 x 40 x 1.5 inches large original oil painting of a white winter woodland landscape with a stag and a doe. This painting is semi abstract in style and was built up with lots of thick layers of paint. The first layer was in autumn colours and the second and third layer were more muted whites and pale pastel colours that give the impression of a winter landscape with snow and frost and ice. Two deer stand to the left looking half formed. Their faces are fairly realistic but their bodies and legs are abstract and and are emerging or melting into the landscape itself. There are trees behind the deer and a cold winter sky behind the treeline. On the branches next to the deer are pastel coloured leaves here and there that mimic the colours of leaves with frost on them or even of early spring cherry tree blossom. I confess this is is a painting I have wrestled with and over-painted parts of it a few times. I am finally very happy with it though because it stands somewhere between abstract winter landscape and a traditional winter landscape as do the deer. Deer are quite mysterious with their ability to appear and disappear at will, especially in forests, and I feel I have captured that transitory thing they do quite well. Sometimes I glance at the painting I and wonder if the deer have moved a little each time I do... Painted on deep edge canvas, white edges, frame not necessary.










