Apart from playing with light and color, the artist tries to influence other senses. He suggests that the viewer touch his paintings. They have different surfaces - as a result, they give extremely different tactile sensations. From slickness to silky softness, to almost smooth glassiness, to hard, shivering roughness. The palette of experiences when perceiving abstract painting is unlimited. In the applied matter painting, it affects other senses. Mirages are temporary, they disappear, appear, do not last. It is fascinating, it is intriguing. This is the essence of abstract painting.
The painter's idea is that the painting should be alive, in constant interaction with the viewer. Variability, continuous evolution, which is to give the viewer an almost sensual pleasure of communing with a constantly changing view, an illusion. Thanks to technical measures and the materials used, the painting becomes an autonomous object that spins its eternal, imaginary story. It gives the viewer a unique pleasure, which results from the structure of the images and the materials used to create them.