White Horses, 2015
Tim Southall
etching & aquatint on copper plate printed on a heavyweight hand made paper from St Cubert's Mill, Somerset
Original Print, 30 x 20 cm
Limited Edition of 75
Offered by tim southall
Return Policy
You have the option of returning goods purchased online within 7 days however please email [email protected] before returning any goods. Any contractual duties are thereby annulled. 
It is important that the items are returned in their original state and undamaged. The customer is liable for shipping costs.
 Until the wares are returned they are the customer’s responsibility. We bear no responsibility for returned goods that we receive by error. How do I get my money back? 
 - The sales contract is annulled upon return of goods. As soon as the goods arrive back with us, in their original state and undamaged, the money will be transferred back to your account.
Return Policy Terms
You have the option of returning goods purchased online within 7 days however please email [email protected] before returning any goods. Any contractual duties are thereby annulled. 
It is important that the items are returned in their original state and undamaged. The customer is liable for shipping costs.
 Until the wares are returned they are the customer’s responsibility. We bear no responsibility for returned goods that we receive by error. How do I get my money back? 
 - The sales contract is annulled upon return of goods. As soon as the goods arrive back with us, in their original state and undamaged, the money will be transferred back to your account.
About Tim Southall
Tim Southall is a graduate of the Royal College of Art and L’école des Beaux Arts, Paris. He is a figurative printmaker and painter who for many years has lived in the countryside of Cadiz Province in southern Spain, where he makes most of his work. Tim’s work covers a broad spectrum from fluid, evocative landscapes to narrative pieces very much in the printmaking tradition, as seen in the etching ‘A Tale of London’.
Living three miles from the Atlantic coast fuels the content of his work. It is in the landscape that he make drawings before going into the studio to make finished pieces ofwork which are a distillation of ideas rather than directly representational pieces. It is through the landscape that he conveys a sense of something universal and at the same time personal, whether it be a narrative piece or an evocation of place or a fleeting moment.
Tim has pursued an active exhibition program for almost 40 years. Recent key exhibition include RA Summer Exhibition 2011/13/18, National Original Print Exhibition 2015/16/17/18, Woolwich Contemporary Print Fair 2017/2018/19, The Discerning Eye, Various Masters of Printmaking exhibitions and open exhibitions around the world
