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Buy Emotional Landscape 023 by Ivo Alvarone | Artlimes
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Emotional Landscape 023, 2018

Ivo Alvarone

Acrylic on canvas

  Original Painting, 45 x 30 x 2 cm

Ships from Poland for £39.34
 15% OFF with code SMTH24.
£393.46
Signed by Artist
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IAXAI
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IAXAI makes every effort to ensure Art Collectors’ 100% satisfaction. Therefore, after receiving the purchased artwork, you have seven (7) days to decide whether you want to keep it or return it and get a refund. You must return the artwork within three (3) days from the day on which you informed us of your desire to return it. Never send work back before contacting us. You can only return the artwork in its original condition and in a secure packaging. We recommend returning works in the original packaging in which they were sent by IAXAI. There will be no refund for a damaged artwork.

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About Ivo Alvarone

Initially, at the suggestion of his father, a medievalist with a passion for art, he began studying art history. After a year he felt too confined, disappointed and gave up. He traveled extensively through Europe, sketching landscape, painting watercolors and enjoying a happy-go-life time. Then, as he promised to his father, Ivo resumed studies. This time at the faculty of painting. During his studies he became vividly interested in the philosophy of transhumanism which pushed him, in an indirect but very logical way, into being an active member of the pro nature movement in his community. Ivo Alvarone lives and works in a small studio, shying away from big exhibitions, prefers to confine to a private, small, audience that follows his experiments with true interest.
In his watercolors and drawings, he takes the viewer into his own world of nature. Nature being his preferred subject. His unique technique consists of a subtle and slowly deepening mixture of overlapping form that conveys his sensitivity. Ivo Alvarone works in series by discovering and applying new pictorial techniques, goes beyond conventions, opens different artistic doors leading through his own experience.
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