Dud Corner, 1986
Nicholas Robertson
Acrylic on superior Studland board
Original Painting, 54.5 x 80 x 0.5 cm
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£650.00
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Nicholas Robertson
United Kingdom
1937Views
About Nicholas Robertson
Born Gloucester UK. I suspect like most figurative artists I find drawing and painting the human form wholly embedded with human behaviour. The desire to secure more than a representation of a persons movement, the spilling of light over contours or the various other physical facets is the reason we continue to make paintings. To liberate a recognisable small emotion in texture, colour and pattern and to make it still, perhaps this is a measure of a successful painting. I like to work in acrylic because it allows me to experiment, making changes quickly is paramount when wishing to explore your options.
About the Product
Reading Robert Graves book 'Goodbye to all that' while coincidentally travelling through Flanders, I came across the Commonwealth War Grave which had names of his fallen comrades. The mood of disquiet at this place provoked the making of this work.
I work in acrylic because it allows me to experiment, making changes quickly is paramount when wishing to explore my options. I apply the acrylic in successive washes to achieve a soft structure and usually reinforce areas with a more opaque use of the pigments. I use artists hogs hair brushes to apply and manipulate the paint with large 4" brushes to spread the washes and break up the linework. The work is painted on a Superior Studland board as I like the rigidity and fine surface, plus the longevity has a proven record.