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Buy Semiotic Fluid by Tony Alcock | Artlimes
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Semiotic Fluid

Semiotic Fluid, 2008

Tony Alcock

Mixed media

  Original Sculpture, 54 x 60 x 5 cm

  Unique Edition, 1 of 1

Free Shipping /  from France
 15% off with code SUMMER.
€585,94
Signed by Artist
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Return Policy Terms

All return shipping costs are borne by the buyer. These would include any customs fees, brokerage fees, duties, taxes, etc. These are buyer's responsibility for transit BOTH ways. Concerning a returns request to be accepted, please note the following : If you are not completely happy with the work, it must be returned within the 7 days from reception, and certainly in the same condition as it was dispatched. Please note artworks for return shipment must be carefully prepared and packed in their original packaging in order to qualify for a refund. It is therefore important that you take care when unpacking the artwork on reception. After receiving the returned artwork safely, a refund for the price paid for the artwork will be promptly and willingly provided.

Artist

About Tony Alcock

I was born in Nottingham (UK) in June 1947. My post school art education included a Pre-Dip at Loughborough followed by studying Fine Art / Painting at Leicester Polytechnic. After graduating and producing my 'Light Organ', I enjoyed a couple of years being recognized as an original and practicing artist in the UK. However, I chose to pursue life as a teacher, gaining a PGCE from Bristol University, where I later briefly lectured in Art education.

Circumstances changed and I found myself working as a musician, became a music shop owner and eventually worked in a successful graphics based company, MOGO UK. From 1993, I was able to reactivate my artistic ambitions, identifying myself as AMA, I've always liked the symmetry of my initials. Most all the work on this Artlimes website will have been produced after 1993.

Sculpture

About this Sculpture

The central screen printed image of the Number 5, is taken from my earlier work, ‘Number 5 surrounded by his Associates’ and is only just recognisable as it floats within a solid wooden frame. This frame itself placed within a velvet surround and heavy gilt frame.

The work, as a juxtaposition of wood grain screen printed onto paper and physical matter of wood itself, is an attempt to give substance and texture to an abstract, linguistic idea, i.e. a counting number.
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